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Reuben Sachs: A Sketch, by Amy Levy
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- Published on: 2015-08-21
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .75" w x 6.14" l, 1.37 pounds
- Binding: Hardcover
- 318 pages
Review
“Susan David Bernstein has done Victorian studies a great service with this edition of Amy Levy’s Reuben Sachs. Bernstein’s original research, insightful commentary, and wide ranging selection of appendices provide a detailed view of the many cultural discourses that surrounded Levy’s work. Thus, with this one volume, readers can discover this important Anglo-Jewish writer and also have enough source materials to contextualize Levy in the critical histories of Anglo-Jewish literature, women’s writing, and late Victorian England. I feel as if I have been waiting for this volume for ten years.” ― Cynthia Scheinberg, Mills College
“This is an extremely welcome reissue of a complex and fascinating novel. Susan David Bernstein’s illuminating introduction persuasively demonstrates how to read Amy Levy’s fiction as an expression of the ‘double-consciousness’ of the semi-assimilated Victorian Jew. This edition provides superb sources that illustrate the extent and terms of contemporary controversy about the novel, and document the debates around racial science, ethnic politics, and the woman question that find expression in her writing. Bernstein also includes other examples of Levy’s fiction, poetry, and criticism that engage in troubled and unresolved ways with similar themes of Jewish identity and feminism.” ― Nadia Valman, University of Southampton
From the Back Cover
Oscar Wilde wrote of this novel, “Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic.” Reuben Sachs, the story of an extended Anglo-Jewish family in London, focuses on the relationship between two cousins, Reuben Sachs and Judith Quixano, and the tensions between their Jewish identities and English society. The novel’s complex and sometimes satirical portrait of Anglo-Jewish life, which was in part a reaction to George Eliot’s romanticized view of Victorian Jews in Daniel Deronda, caused controversy on its first publication.
This Broadview edition prints for the first time since its initial publication in The Jewish Chronicle Levy’s essay “The Jew in Fiction.” Other appendices include George Eliot’s essay on anti-Jewish sentiment in Victorian England and a chapter from Israel Zangwill’s novel The Children of the Ghetto. Also included is a map of Levy’s London with landmarks from her biography and from the “Jewish geography” of Reuben Sachs.
About the Author
Susan David Bernstein is a Professor of English, Jewish Studies, and Women’s Studies at the University of Wisconsin-Madison. She is the author of Confessional Subjects: Revelations of Gender and Power in Victorian Literature and Culture (University of North Carolina Press, 1997).
Most helpful customer reviews
5 of 5 people found the following review helpful.
A strange and fascinating book
By Patto
When you read nineteenth-century fiction, you sometimes encounter prose that's not politically correct. If you love the period, you put up with it. In this case, I decided to overlook the stereotypes and enjoy the story.
The story is simple but compelling. Reuben Sachs and Judith Quixano (both Jewish) love each other deeply, but he's determined to rise in politics. Judith has no money to speak of, and no social status. She can't further his ambition.
The portrayal of their passion, and of Judith's strength of character in particular, is quite poignant. There's a message here for everyone about the way life unfolds, and what really matters in the end.
That's the good news. The bad news is that author Amy Levy, although herself Jewish, caricatures Jewish society and shows contempt for the "tribal foibles" of Jews.
In the introduction, the editor tries to explain away Levy's prejudice against her own people - but the argument is pretty convoluted. To me it seems more likely that Levy's personal issues embittered her; she committed suicide at the age of 27.
The Victorian Anglo-Jewish press, not surprisingly, decried Reuben Sachs. Yet Oscar Wilde considered it a classic. Who's right? Probably Oscar Wilde, but you be the judge.
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