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Thieves Like Us, by Edward Anderson
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When three small-time country gangsters break jail, they return to the only life they know-small-town bank robbing. When Bowie, the youngest of them, falls in love wit Keechie, one of the older gangster's cousins, it becomes a classic tale of love with nowhere to hide and no hope of reprieve. Originally published in 1937.
- Sales Rank: #692574 in Books
- Published on: 2013-05-06
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .40" w x 5.98" l, .57 pounds
- Binding: Paperback
- 172 pages
Review
"One of the great forgotten novels of the 1930s" Raymond Chandler
About the Author
Edward Anderson, born in Texas in 1905, grew up in Oklahoma, pursued a writing career that ranged across journalism, pulp fiction and screenwriting. He rode the railways as a hobo during the Depression era and encapsulated his experiences in his classic first novel, Hungry Men (1935) and followed that with his masterpiece Thieves Like Us in 1937. He wrote briefly for Hollywood studios before resuming his career as a journalist in Texas and California. He died in 1969.
Most helpful customer reviews
21 of 22 people found the following review helpful.
Brilliant proto-hardboiled novel
By LGwriter
Written in 1937, Thieves Like Us--while not the first hardboiled novel (that honor goes to the work of Dashiell Hammett, hands down)--is nevertheless one of the great hardboiled classics. Basis for two films--Nicholas Ray's 1948 They Live By Night and Robert Altman's 1974 film of the same name--it tells of working class joes during the Depression who make a living by robbing banks, talking about it as white-collar slobs would a day at the office. Only with a lot more slang, spice, and color.
The writing is brisk, fresh, and succinct. Anderson is great at capturing the feel of the time, through the terrific dialogue and his clean punchy prose. Thieves Like Us is a real joy to read because it's a no BS book; you can really feel the characters when you're reading it like they were right next to you.
That violence is a natural part of that life goes without saying. The violence portrayed is done so without gore or sensationalism--it's beautifully integrated into the story, adding that much more to the power and resonance of this work.
Who should read this? Those who want to know where hardboiled came from. Those who want a strong sense of American literature--i.e., what America contributed to world literature. Those who are students of the Depression, adding to their understanding of that period. And those who love a great story.
A true classic. Don't miss!
8 of 8 people found the following review helpful.
No way out.
By Michael G.
Thieves Like Us is a thoroughly downbeat, noirish tale about a trio of career criminals who escape from an Oklahoma prison and proceed to commit a series of bank robberies. The one nicknamed Bowie finds love with a poor country girl. As the two lovers set up housekeeping despite the ever present threat of discovery hanging over their heads, the reader is acutely aware that the phrase "happily ever after" is not likely to play much of a role here.
The plot of this dark Depression era work takes a relentlessly downward spiral as the characters inevitably become trapped in a spider web of their own making. Author Edward Anderson did a great job in bringing to life the rural small town settings against which the majority of the narrative takes place. Especially noteworthy is the plentiful dialogue featuring a distinctive vernacular that lends authenticity to the proceedings.
Written in the 1930s, Thieves Like Us is very much a product of its time. Its palpable sense of desperation and disillusionment fits right in with the mood of a nation struggling against hard economic conditions.
9 of 10 people found the following review helpful.
birth of a genre?
By Orrin C. Judd
You've got to feel sorry for the guy who originates a genre. When he creates his work it's so original and exciting that it spawns a legion of imitators, but decades down the road, when folks pick up that seminal work, it feels dated and derivative. This seems to be the case with Thieves Like Us. When it was published, Anderson was compared to Faulkner and Hemingway. Then it looks like the book experienced lengthy periods when it was out of print, experienced revivals when it was twice adapted for the movies and currently enjoys a fairly strong reputation as a representative noir crime story from the Depression, along the lines of Hammett or Chandler. Now those are some pretty weighty comparisons to be throwing around, and I don't know that they are fair, but the book will stand quite nicely on it's own.
Anderson tells the story of three convicts: Elmo "Chicamaw" Mobley, T.W. "T-Dub" Masefield and Bowie Bowers, who escape from an Alcatona, OK prison in 1935 and return to the only jobs they are any good at--robbing banks. The three quickly pile up a tidy sum of cash and start living high on the hog, at which point the story focusses on Bowers and his courtship of a young girl named Keechie. The plot elements are familiar: folks don't mind the boys robbing banks because so many lost their bank deposits in the Crash that they figure bankers are thieves, alcohol and gambling eat away at the money pretty quickly, everyone dreams of going straight and just needs a little sum of ready cash to do so but that cash always seems to disappear, young lovers go on the lam, there's sensationalistic press coverage and when the boys set out to commit one last robbery, we're fairly sure there's trouble ahead. But it's all deftly handled, in spare, punchy prose and, except for some brief sermonizing about evil capitalists, it's reasonably free of working class cant; a seminal work of crime fiction.
GRADE: B+
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