Rabu, 30 Juni 2010

[Q774.Ebook] Free Ebook Verilog: Frequently Asked Questions: Language, Applications and Extensions, by Shivakumar S. Chonnad, Needamangalam B. Balachander

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Verilog: Frequently Asked Questions: Language, Applications and Extensions, by Shivakumar S. Chonnad, Needamangalam B. Balachander



Verilog: Frequently Asked Questions: Language, Applications and Extensions, by Shivakumar  S. Chonnad, Needamangalam B. Balachander

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Verilog: Frequently Asked Questions: Language, Applications and Extensions, by Shivakumar  S. Chonnad, Needamangalam B. Balachander

The Verilog Hardware Description Language was first introduced in 1984. Over the 20 year history of Verilog, every Verilog engineer has developed his own personal “bag of tricks” for coding with Verilog. These tricks enable modeling or verifying designs more easily and more accurately. Developing this bag of tricks is often based on years of trial and error. Through experience, engineers learn that one specific coding style works best in some circumstances, while in another situation, a different coding style is best. As with any high-level language, Verilog often provides engineers several ways to accomplish a specific task. Wouldn’t it be wonderful if an engineer first learning Verilog could start with another engineer’s bag of tricks, without having to go through years of trial and error to decide which style is best for which circumstance? That is where this book becomes an invaluable resource. The book presents dozens of Verilog tricks of the trade on how to best use the Verilog HDL for modeling designs at various level of abstraction, and for writing test benches to verify designs. The book not only shows the correct ways of using Verilog for different situations, it also presents alternate styles, and discusses the pros and cons of these styles.

  • Sales Rank: #4277232 in Books
  • Published on: 2004-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l, 1.30 pounds
  • Binding: Hardcover
  • 238 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Very good Verilog and hardware design book
By DesignManiac
This book tries to do three things: 1) introduce designers to some of the idiosynchrasies and pitfalls of the Verilog language, 2) teach some important basic digital design principles, and 3) go beyond pure functionality and help designers appreciate testability, verification, and emergent system performance issues. It does very well in all, I think. They do not mire themselves down in the detailed syntax or semantics of Verilog except in avoiding the aforementioned pitfalls. On the whole, the design principles are well illustrated. They did reference a web page on metastability and synchronization between clock domains, but by and large, the book is self contained. It seems to me that there is an error in the gated clock discussion in Fig. 2.20. The clock polarity is invered compared with Fig. 2.19 - the latter is correct. Also ~clk needs to be used instead of clk in some of the latch control code in the corresponding Verilog examples. Otherwise, I have found few problems. This book is by far the best of the dozen or so (generally poor) Verilog books I have read.

3 of 3 people found the following review helpful.
Highly recommend!
By L. Wang
I highly recommend this book for students/engineers who have basic knowldges in Verilog and want to know how to improve their design and what they should focus on during their design phase for their project.

This book is well-organized. It starts from basic concept of verilog, followed by the RTL design, and verification. The authors even provides a section called common mistakes to help readers understand the pitfalls they usually make and the side effect of making these mistake.

This book is easy to read. One of the reasons is the authors provide a very good flow for readers to read through the book (from basic to advanced); moreover, the authors also provide explanation for some jargons which beginners are not familiar with. Finally, all of the questions are listed in TOC, which is pretty easy for students/engineers to skip to the topics which interest them.

I believe this book is a must-have in the book shelf. For students, you may ask your library to buy this since it is not cheap. However, it does worth buying if you want to keep it yourself.

1 of 1 people found the following review helpful.
Excellent Book for verilog users
By VerilogGeek
I started writing in verilog HDL in early 1990. When I read this book it gives me lot of of new information that I was not aware of. From students to senior engineers, I strongly suggest to read this book. It provides very good tips to write your code for synthesis and verification. Again, excellent book.

Regards,

VerilogGeek

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Verilog: Frequently Asked Questions: Language, Applications and Extensions, by Shivakumar S. Chonnad, Needamangalam B. Balachander PDF
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Minggu, 27 Juni 2010

[P721.Ebook] PDF Download The Low Light Photography Field Guide, by Michael Freeman

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The Low Light Photography Field Guide, by Michael Freeman

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The Low Light Photography Field Guide, by Michael Freeman

Like all the titles in this successful series, The Low Light Photography Field Guide offers advice from a respected expert and professional. In this volume, Michael Freeman looks at an area that remains problematic for photographers with even top-of-the range equipment: low light. Opening with a section on the qualities of different kinds of low light, the book then deals with ways of overcoming gloomy situations, whether you're shooting hand-held or on a tripod. Post-production fixes are also covered, allowing the reader to turn difficult shots into amazing images.

  • Sales Rank: #5676668 in Books
  • Published on: 2011-11-01
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .55" w x 4.57" l, .56 pounds
  • Binding: Paperback
  • 192 pages

Amazon.com Review

Amazon Exclusive: An Excerpt from Low Light Photography Field Guide Handheld or Locked Down Low light photography is one area in which process dominates. By this I mean that all the various limits and difficulties that we looked at in the first chapter need to be thought about before you start shooting. In practical terms, low light shooting is about pushing technical and mechanical limits as far as you can, and this in turn means that there are two competing ways of approaching it. In one the idea is to do everything necessary to retain the freedom of using a camera in much the same way as you would under normal light. The alternative is to abandon freedom in favor of a full choice of technical settings--sharp, clean images without noise, and at any aperture setting, and with no limit to the exposure time (except, of course, for short exposures). It is not easy to switch from one to the other mid-shoot, so it is normal to decide at the start which route you are going to take for any one session. There are good arguments for both handheld and for using a tripod, and which to choose depends on the subject, your preferred style, the results you are looking for and the quality you absolutely need. The last factor is too often ignored, as we'll come to in a moment, and can sometimes make the others redundant. The key factor for most photographers is the optimum shutter speed for subject movement. If the subject is active, for instance people in motion, a tripod is no help in freezing the movement. Some kinds of movement may well be acceptable, or even desirable, such as the streaked trails of vehicle lights on a highway, but if you need sharp capture, the threshold shutter speed for this determines everything. This in turn is affected by the relative movement in the image frame (see pages 110–113), so a walking figure naturally calls for a faster shutter speed if it fills the frame than if it takes up just a small part of the picture. But basically, the rule is, if you are photographing people, then shoot handheld. The obvious advantages are freedom and mobility, and the chance to shoot unobserved, without drawing attention to the camera as is inevitable with a tripod. You can strip down the amount of equipment drastically; one camera, one or two lenses, maybe a flash unit if the camera does not have one built in, and very little else. Gone are the days of two camera bodies, each for a different film (such as high-speed color, with high-speed black and white to be pushed to the maximum if necessary). Digitally, everything can be dialed up from the menu. The disadvantages are in camera handling and image quality. As handheld shooting in these conditions almost never enjoys the luxury of fast shutter speeds, holding the camera (and yourself) still is always an issue, and may often--as we'll see a few pages further on--call for over-shooting to lessen the risk of frames lost to camera shake. A fast lens, with a maximum aperture wider then ƒ/2, is a distinct advantage, though costly. Image quality centers on noise, because the key strategy is setting the appropriate ISO. High sensitivity means high noise levels, and while there are ways of dealing with this it reduces quality. This completely depends on how the pictures are going to be used, in particular the size. It is very important to become familiar with just how bad different noise levels look when reproduced at particular scales. The positive side of this is that if you are going to use the picture small, the noise may be invisible, thus giving handheld almost no disadvantages at all.
Subject motion sets limits:
Handheld shooting reaches its practical limit when the movement of subjects is too fast even for a combination of wide-open aperture and high ISO setting.
Size matters: While noise is evident at 100% magnification, at this size of reproduction, it becomes unnoticeable.
Detail:
Remember to use the 100% magnification on your computer to check pixel-level detail.
Low light reportage: Shooting handheld lets you follow classic reportage methods like photographing unnoticed.
Handheld movement:
Handheld shooting allows for a number of loose, ad hoc effects, such as a slow speed while walking, as in this image, taken at 1/3 sec.
Depth of detail: Images that rely heavily on fine resolution call for maximum image quality. A tripod is the natural choice.

Handheld vs. Locked Down Checklist Handheld

  • Free, quick, and mobile
  • Unobtrusive, allows reportage-style shooting
  • Lightweight, needs little equipment
  • First choice for subjects in motion
  • Camera shake always an issue
  • Fast lenses are a priority
  • Needs high ISO settings, resulting in noise
  • Depth of field always shallow because wide apertures used
  • Locked down
  • Static, takes time to change viewpoint
  • Conspicuous, may attract unwanted attention
  • Tripod can be an inconvenient burden
  • First choice for static subjects
  • If tripod used well, no risk of camera shake
  • Any lens can be used, even very long slow telephotos
  • Can use lowest ISO setting. Good depth of field practical by stopping down
  • About the Author
    Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career. Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture. Freeman's books on photography have been translated into 27 languages.

    Most helpful customer reviews

    10 of 10 people found the following review helpful.
    Nearly impossibel to read
    By Matthew Howe
    As a concert and nature photographer, I'm always facing low-light situations. I was hoping Mr. Freeman's book would be helpful in helping me conquer some of the technical difficulties of these types of photography. And while the book will be ultimately helpful, I still find it extremely disappointing.

    Mr. Freeman's style is less than great, but the information presented is solid.

    The real problem is the book's layout. As other reviews have pointed out, this "field guide" seems to merely be a shrunken-down version of a full-sized book. The type is so tiny, it is nearly impossible to read, even at home under bright light. The example images he gives, images in which you are often looking for subtle differences, are so small they also become difficult to interpret. I'm slugging through it because I have to, but I don't wish this struggle on anyone else.

    Making the pages bigger, or adding pages, would have solved all of these problems. If it means the book would cost more, I'd be happy to pay.

    This is a ridiculous reason for an otherwise 3 or 4 star book to earn a 1 star review, but there it is. I'm amazed that any publishing professional could have let this book out in its current form.

    1 of 1 people found the following review helpful.
    FOR PROFESSIONALS AND ADVANCED AMATEURS
    By Bill McLean
    I guess I'm ready to improve my low light photo skills. Until now I have confined most of my amateur shooting to daytime outdoors and flash indoors.

    I'm writing after reading only half the book. So far, my only criticism is the size of the type. It's just too small for me to comfortably read - even with reading glasses. I have to read it in direct sunlight.

    Anyway, it has been worth the extra effort. The book is not only wonderfully informative, it's inspiring.

    Because I have only read half the book, and tried out only few of the examples., I promise to return and amend this review IF I have more to say.

    6 of 6 people found the following review helpful.
    Too small to read
    By Dews
    The information is great but this is not a field guide. As a graphic designer as well as photographer I can see where a normal size book was simply miniaturized to make it portable and thus fit the category. The fonts, images, color and backgrounds all correspond to a larger format. At the present size it looks like the small print in some ads and is almost impossible to read. I would recommend that you wait until the publisher realizes the mistake made and comes out with a larger size book. Once you can actually read it, it will be worth every penny.

    See all 35 customer reviews...

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    Rabu, 23 Juni 2010

    [L216.Ebook] Download Ebook Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Str, by Howard Gardner

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    Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Str

    • Sales Rank: #813218 in Books
    • Brand: Basic Books
    • Published on: 1993-07-08
    • Binding: Paperback
    Features
    • Great product!

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    Rabu, 16 Juni 2010

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    • Sales Rank: #16338732 in Books
    • Published on: 2004-07
    • Original language: English
    • Dimensions: 6.75" h x 6.75" w x .25" l,
    • Binding: Calendar

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    Senin, 14 Juni 2010

    [E865.Ebook] Get Free Ebook How to Write, by Alastair Fowler

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    How to Write is an introductory guide to writing, aimed at people who think they can't write, or for whom writing is an ordeal. Broken down into short topic-based chapters on everything from beginning to revising, it demystifies the writing process by taking the reader through each stage necessary to bring a piece of writing to a decent finish. The book also offers a wealth of invaluable practical considerations, including when and where to write, when to printout and when to edit onscreen, what type of pen works well for revisions, and the hazards of the paperclip. The author is a seasoned writer whose encouraging but uncompromising guidance will delight as well as instruct.
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    Topic areas include:



    � How to begin, including prep work, producing drafts, and making outlines



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    � Paragraph construction, including types of paragraphs, readability, and size reduction



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    • Sales Rank: #1121545 in Books
    • Published on: 2007-03-16
    • Released on: 2007-03-16
    • Original language: English
    • Number of items: 1
    • Dimensions: 4.50" h x .60" w x 7.30" l, .45 pounds
    • Binding: Paperback
    • 212 pages

    About the Author

    Alastair Fowler is Regius Professor Emeritus of Rhetoric and English Literature at the University of Edinburgh. Other books include A History of English Literature and contributions to The Future of Literary Theory.

    Most helpful customer reviews

    12 of 12 people found the following review helpful.
    Not just for beginners -- veterans have learned from Fowler for years
    By A Reader in Washington DC
    I had the great good fortune of studying with scholar and poet Alastair Fowler, and of experiencing this book when he offered aspects of it as a talk for graduate students. As soon as I learned it was a book I bought it. His insights are fresh and energizing, and he truly inspires one to write and to feel confident about it. Someone here suggested it's only for beginners, but I think that's balderdash (and I write for a living). Dr. Fowler's use of language may be (perhaps deceptively) clear, but his ideas have underpinned many a successful doctoral dissertation and well-written scholarly book.

    8 of 9 people found the following review helpful.
    Good Advice
    By Amazon Customer
    Fowler's "How to Write" offers good advice; it deserves a spot on your shelf of writing books. Readers weary of condescending books by "language pundits" will appreciate this warm, open-minded book.

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    By Piglet
    This tiny little book is extremely helpful, even for experienced writers. It covers topics including the writing process, style, research, and practicalities, such as diction.

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    See all 6 customer reviews...

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    Jumat, 04 Juni 2010

    [I904.Ebook] PDF Ebook The Way You Make Me Feel: 20 Lessons in Customer Service, by Donnovan Simon

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    • Sales Rank: #6876247 in Books
    • Published on: 2011-03-29
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.99" h x .30" w x 5.00" l, .32 pounds
    • Binding: Paperback
    • 140 pages

    Most helpful customer reviews

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    Very useful
    By Dr Lorna Matthews
    I find the perspectives taken by the writer on the need to ensure customer satisfaction in all service areas to be very enlightening! As an educator I was able to use this book with my students who were pursuing a program in school management and leadership. My students were able to adapt the cases presented in this book to that of managing schools and their various stakeholders. Reading it was fun!

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